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Wavid
13th Oct 2003, 10:44
The Observer yesterday published their lsit of the greatest 100 novels ever. Here it is:

1. Don Quixote Miguel De Cervantes
The story of the gentle knight and his servant Sancho Panza has entranced readers for centuries.

2. Pilgrim's Progress John Bunyan
The one with the Slough of Despond and Vanity Fair.

3. Robinson Crusoe Daniel Defoe
The first English novel.

4. Gulliver's Travels Jonathan Swift
A wonderful satire that still works for all ages, despite the savagery of Swift's vision.

5. Tom Jones Henry Fielding
The adventures of a high-spirited orphan boy: an unbeatable plot and a lot of sex ending in a blissful marriage.

6. Clarissa Samuel Richardson
One of the longest novels in the English language, but unputdownable.

7. Tristram Shandy Laurence Sterne
One of the first bestsellers, dismissed by Dr Johnson as too fashionable for its own good.

8. Dangerous Liaisons Pierre Choderlos De Laclos
An epistolary novel and a handbook for seducers: foppish, French, and ferocious.

9. Emma Jane Austen
Near impossible choice between this and Pride and Prejudice. But Emma never fails to fascinate and annoy.

10. Frankenstein Mary Shelley
Inspired by spending too much time with Shelley and Byron.


11. Nightmare Abbey Thomas Love Peacock
A classic miniature: a brilliant satire on the Romantic novel.

12. The Black Sheep Honore De Balzac
Two rivals fight for the love of a femme fatale. Wrongly overlooked.

13. The Charterhouse of Parma Stendhal
Penetrating and compelling chronicle of life in an Italian court in post-Napoleonic France.

14. The Count of Monte Cristo Alexandre Dumas
A revenge thriller also set in France after Bonaparte: a masterpiece of adventure writing.

15. Sybil Benjamin Disraeli
Apart from Churchill, no other British political figure shows literary genius.

16. David Copperfield Charles Dickens
This highly autobiographical novel is the one its author liked best.

17. Wuthering Heights Emily Bronte
Catherine Earnshaw and Heathcliff have passed into the language. Impossible to ignore.

18. Jane Eyre Charlotte Bronte
Obsessive emotional grip and haunting narrative.

19. Vanity Fair William Makepeace Thackeray
The improving tale of Becky Sharp.

20. The Scarlet Letter Nathaniel Hawthorne
A classic investigation of the American mind.

21. Moby-Dick Herman Melville
'Call me Ishmael' is one of the most famous opening sentences of any novel.

22. Madame Bovary Gustave Flaubert
You could summarise this as a story of adultery in provincial France, and miss the point entirely.

23. The Woman in White Wilkie Collins
Gripping mystery novel of concealed identity, abduction, fraud and mental cruelty.

24. Alice's Adventures In Wonderland Lewis Carroll
A story written for the nine-year-old daughter of an Oxford don that still baffles most kids.

25. Little Women Louisa M. Alcott
Victorian bestseller about a New England family of girls.

26. The Way We Live Now Anthony Trollope
A majestic assault on the corruption of late Victorian England.

27. Anna Karenina Leo Tolstoy
The supreme novel of the married woman's passion for a younger man.

28. Daniel Deronda George Eliot
A passion and an exotic grandeur that is strange and unsettling.

29. The Brothers Karamazov Fyodor Dostoevsky
Mystical tragedy by the author of Crime and Punishment.

30. The Portrait of a Lady Henry James
The story of Isabel Archer shows James at his witty and polished best.

31. Huckleberry Finn Mark Twain
Twain was a humorist, but this picture of Mississippi life is profoundly moral and still incredibly influential.

32. Dr Jekyll and Mr Hyde Robert Louis Stevenson
A brilliantly suggestive, resonant study of human duality by a natural storyteller.

33. Three Men in a Boat Jerome K. Jerome
One of the funniest English books ever written.

34. The Picture of Dorian Gray Oscar Wilde
A coded and epigrammatic melodrama inspired by his own tortured homosexuality.

35. The Diary of a Nobody George Grossmith
This classic of Victorian suburbia will always be renowned for the character of Mr Pooter.

36. Jude the Obscure Thomas Hardy
Its savage bleakness makes it one of the first twentieth-century novels.

37. The Riddle of the Sands Erskine Childers
A prewar invasion-scare spy thriller by a writer later shot for his part in the Irish republican rising.

38. The Call of the Wild Jack London
The story of a dog who joins a pack of wolves after his master's death.

39. Nostromo Joseph Conrad
Conrad's masterpiece: a tale of money, love and revolutionary politics.

40. The Wind in the Willows Kenneth Grahame
This children's classic was inspired by bedtime stories for Grahame's son.

41. In Search of Lost Time Marcel Proust
An unforgettable portrait of Paris in the belle epoque. Probably the longest novel on this list.

42. The Rainbow D. H. Lawrence
Novels seized by the police, like this one, have a special afterlife.

43. The Good Soldier Ford Madox Ford
This account of the adulterous lives of two Edwardian couples is a classic of unreliable narration.

44. The Thirty-Nine Steps John Buchan
A classic adventure story for boys, jammed with action, violence and suspense.

45. Ulysses James Joyce
Also pursued by the British police, this is a novel more discussed than read.

46. Mrs Dalloway Virginia Woolf
Secures Woolf's position as one of the great twentieth-century English novelists.

47. A Passage to India E. M. Forster
The great novel of the British Raj, it remains a brilliant study of empire.

48. The Great Gatsby F. Scott Fitzgerald
The quintessential Jazz Age novel.

49. The Trial Franz Kafka
The enigmatic story of Joseph K.

50. Men Without Women Ernest Hemingway
He is remembered for his novels, but it was the short stories that first attracted notice.

51. Journey to the End of the Night Louis-Ferdinand Celine
The experiences of an unattractive slum doctor during the Great War: a masterpiece of linguistic innovation.

52. As I Lay Dying William Faulkner
A strange black comedy by an American master.

53. Brave New World Aldous Huxley
Dystopian fantasy about the world of the seventh century AF (after Ford).

54. Scoop Evelyn Waugh
The supreme Fleet Street novel.

55. USA John Dos Passos
An extraordinary trilogy that uses a variety of narrative devices to express the story of America.

56. The Big Sleep Raymond Chandler
Introducing Philip Marlowe: cool, sharp, handsome - and bitterly alone.

57. The Pursuit Of Love Nancy Mitford
An exquisite comedy of manners with countless fans.

58. The Plague Albert Camus
A mysterious plague sweeps through the Algerian town of Oran.

59. Nineteen Eighty-Four George Orwell
This tale of one man's struggle against totalitarianism has been appropriated the world over.

60. Malone Dies Samuel Beckett
Part of a trilogy of astonishing monologues in the black comic voice of the author of Waiting for Godot.

61. Catcher in the Rye J.D. Salinger
A week in the life of Holden Caulfield. A cult novel that still mesmerises.

62. Wise Blood Flannery O'Connor
A disturbing novel of religious extremism set in the Deep South.

63. Charlotte's Web E. B. White
How Wilbur the pig was saved by the literary genius of a friendly spider.

64. The Lord Of The Rings J. R. R. Tolkien
Enough said!

65. Lucky Jim Kingsley Amis
An astonishing debut: the painfully funny English novel of the Fifties.

66. Lord of the Flies William Golding
Schoolboys become savages: a bleak vision of human nature.

67. The Quiet American Graham Greene
Prophetic novel set in 1950s Vietnam.

68 On the Road Jack Kerouac
The Beat Generation bible.

69. Lolita Vladimir Nabokov
Humbert Humbert's obsession with Lolita is a tour de force of style and narrative.

70. The Tin Drum Gunter Grass
Hugely influential, Rabelaisian novel of Hitler's Germany.

71. Things Fall Apart Chinua Achebe
Nigeria at the beginning of colonialism. A classic of African literature.

72. The Prime of Miss Jean Brodie Muriel Spark
A writer who made her debut in The Observer - and her prose is like cut glass.

73. To Kill A Mockingbird Harper Lee
Scout, a six-year-old girl, narrates an enthralling story of racial prejudice in the Deep South.

74. Catch-22 Joseph Heller
'[He] would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; if he didn't want to he was sane and had to.'

75. Herzog Saul Bellow
Adultery and nervous breakdown in Chicago.

76. One Hundred Years of Solitude Gabriel Garcia Marquez
A postmodern masterpiece.

77. Mrs Palfrey at the Claremont Elizabeth Taylor
A haunting, understated study of old age.

78. Tinker Tailor Soldier Spy John Le Carre
A thrilling elegy for post-imperial Britain.

79. Song of Solomon Toni Morrison
The definitive novelist of the African-American experience.

80. The Bottle Factory Outing Beryl Bainbridge
Macabre comedy of provincial life.

81. The Executioner's Song Norman Mailer
This quasi-documentary account of the life and death of Gary Gilmore is possibly his masterpiece.

82. If on a Winter's Night a Traveller Italo Calvino
A strange, compelling story about the pleasures of reading.

83. A Bend in the River V. S. Naipaul
The finest living writer of English prose. This is his masterpiece: edgily reminiscent of Heart of Darkness.

84. Waiting for the Barbarians J.M. Coetzee
Bleak but haunting allegory of apartheid by the Nobel prizewinner.

85. Housekeeping Marilynne Robinson
Haunting, poetic story, drowned in water and light, about three generations of women.

86. Lanark Alasdair Gray
Seething vision of Glasgow. A Scottish classic.

87. The New York Trilogy Paul Auster
Dazzling metaphysical thriller set in the Manhattan of the 1970s.

88. The BFG Roald Dahl
A bestseller by the most popular postwar writer for children of all ages.

89. The Periodic Table Primo Levi
A prose poem about the delights of chemistry.

90. Money Martin Amis
The novel that bags Amis's place on any list.

91. An Artist of the Floating World Kazuo Ishiguro
A collaborator from prewar Japan reluctantly discloses his betrayal of friends and family.

92. Oscar And Lucinda Peter Carey
A great contemporary love story set in nineteenth-century Australia by double Booker prizewinner.

93. The Book of Laughter and Forgetting Milan Kundera
Inspired by the Soviet invasion of Czechoslovakia in 1968, this is a magical fusion of history, autobiography and ideas.

94. Haroun and the Sea af Stories Salman Rushdie
In this entrancing story Rushdie plays with the idea of narrative itself.

95. La Confidential James Ellroy
Three LAPD detectives are brought face to face with the secrets of their corrupt and violent careers.

96. Wise Children Angela Carter
A theatrical extravaganza by a brilliant exponent of magic realism.

97. Atonement Ian McEwan
Acclaimed short-story writer achieves a contemporary classic of mesmerising narrative conviction.

98. Northern Lights Philip Pullman
Lyra's quest weaves fantasy, horror and the play of ideas into a truly great contemporary children's book.

99. American Pastoral Philip Roth
For years, Roth was famous for Portnoy's Complaint . Recently, he has enjoyed an extraordinary revival.

100. Austerlitz W. G. Sebald
Posthumously published volume in a sequence of dream-like fictions spun from memory, photographs and the German past.

Why don't we have a Palimpsest review of as many as we can: everyone pick one (or indeed, as many as you like) and do a quick round up of it, whether you like it or dislike it. If there are any that none of us have read, then it might be a useful source of some Book Group choices...

John Self
13th Oct 2003, 11:09
Can I do Wuthering Heights...

To be honest when I saw this in the Observer yesterday I thought it was a pretty flimsy piece of space-filling. Who needs another Top 100 list, released coincidentally a week before the BBC unveils the Top 21 in its Big Read?

Slightly interesting though to see a few I'd never heard of: Thomas Love Peacock's Nightmare Abbey, Elizabeth Taylor's Mrs Palfrey at the Claremont and Marilynne Robinson's Housekeeping.

Edit: On further investigation I see that Housekeeping is out of print. Surely that must be a pretty basic disqualification from any Top 100 list? Isn't history supposed to be the ultimate arbiter?

joy
20th Oct 2003, 2:57
It sounds a much more interesting list than the big read, although I have read or heard of considerably less of them. I would rather start reading through this list.
Although I read a lot in my teens it was mostly rubbish. Told I would never pass my english A level unless I read better books, I marched crossly into the library and grabbed the first book I saw - the Women in White, Wilkie Collins. I could not put it down, and I didn't look back. It was exciting and full of atmosphere and suspense and I have never forgotten the thrill of finding that there was a whole world of books out there I wanted to read.
I am afraid I cannot recall the whole plot as I moved on swiftly to the Moonstone which became my life favourite, many times reread and for which I could recite the whole plot but which never made the list. I think I will go out and buy TWIWand read it again.

amner
20th Oct 2003, 9:51
I haven't done much more than a brief once-over on this, but isn't it a one author/one book list? The Big Read selection most certainly isn't (five bloody Pratchetts, for a start off).
.

pandop
20th Oct 2003, 11:42
I will do Jane Eyre and Little Women if you want - I am due a reread of both of those

Hazel

pandop
20th Oct 2003, 11:45
I haven't done much more than a brief once-over on this, but isn't it a one author/one book list? The Big Read selection most certainly isn't (five bloody Pratchetts, for a start off).
.

that's the problem with the Big Read - people keep getting confused over what it is, if you don't specify a one author/one book limit, and ask people for their favourite book then that is what you will get - they are not looking for the best book, but the best loved - there is a difference between the aims of the BBC and the Observer. Not that I mean to have a go at you, but I am a little fed up with all that has been written on the 'quality' of the choices in the Big Read <sigh>

Who chose the 100 greatest novels?

Hazel

amner
20th Oct 2003, 13:05
Not that I mean to have a go at you, but I am a little fed up with all that has been written on the 'quality' of the choices in the Big Read

That's OK, I don't feel got at. If the books are there to be looked at, they're there to be sniped at in my opinion, whether the criteria is best loved or simply best (or thickest, or nicest cover, &c.) it makes no odds to me. Being held in great affection does not mean it's flame-free.
.

pandop
20th Oct 2003, 13:25
this is true, but I do wish they would stop this confusion about the purpose of the vote in the press!

Hazel

amner
20th Oct 2003, 14:17
Laziness, Hazel, pure and simple.
.

pandop
20th Oct 2003, 14:24
doesn't mean I cant rant about it though :twisted:

Hazel

skanky
21st Oct 2003, 15:05
Whatever you think of the Observer list, it'd provide an interesting exercise to read it from 1-100 in order, as that is chronological order. I wonder what (if any) pattern may emerge? If one did, it would most likley be due to the time passage, the selection being otherwise, effectively random (with the one author/one book caveat).

BeccaK
30th May 2007, 14:51
Slightly interesting though to see a few I'd never heard of: Thomas Love Peacock's Nightmare Abbey, Elizabeth Taylor's Mrs Palfrey at the Claremont and Marilynne Robinson's Housekeeping.

Edit: On further investigation I see that Housekeeping is out of print. Surely that must be a pretty basic disqualification from any Top 100 list? Isn't history supposed to be the ultimate arbiter?

I thought I'd revive this absolutely ancient thread briefly, as I've just been looking for a thread on Marilynne Robinson, having started to read Gilead.

Housekeeping is back in print, and if Gilead's first 40 pages are anything to go by, I'll be storming the shops to get a copy!

MisterHobgoblin
30th May 2007, 15:13
Some observations:

15. Sybil Benjamin Disraeli
Apart from Churchill, no other British political figure shows literary genius.
I have read this and it is utterly tedious. There are pages long political tracts on economics and the honours system with a thin plot to permit them to be published.

17. Wuthering Heights Emily Bronte
Catherine Earnshaw and Heathcliff have passed into the language. Impossible to ignore.
I've not read the book but it must have been pretty brilliant to inspire the song.

24. Alice's Adventures In Wonderland Lewis Carroll
A story written for the nine-year-old daughter of an Oxford don that still baffles most kids.
Fair enough if we must allow children's books into a list like this

27. Anna Karenina Leo Tolstoy
The supreme novel of the married woman's passion for a younger man.
If we are allowing foreign language novels into the list, then it is striking how few of the 100 greatest books were written in a language other than English.

31. Huckleberry Finn Mark Twain
Twain was a humorist, but this picture of Mississippi life is profoundly moral and still incredibly influential.

40. The Wind in the Willows Kenneth Grahame
This children's classic was inspired by bedtime stories for Grahame's son.
Quite a lot of children's books, really

45. Ulysses James Joyce
Also pursued by the British police, this is a novel more discussed than read.
Definitely agree - one of the top ten, for sure. A wonderful and terribly sad exp;oration of identity, nationality and exclusion.

52. As I Lay Dying William Faulkner
A strange black comedy by an American master.
An A Level standard text - but has anyone ever read this under their own inspiration?

59. Nineteen Eighty-Four George Orwell
This tale of one man's struggle against totalitarianism has been appropriated the world over.
Quite readable, but rather unexceptional in style. Does the plot do enough to compensate?

63. Charlotte's Web E. B. White
How Wilbur the pig was saved by the literary genius of a friendly spider.
Now, I've never read this but I do doubt that a book about a spider and a pig is going to be in the top 10,000 books, let alone the greatest 100.

64. The Lord Of The Rings J. R. R. Tolkien
Enough said!
This is turgid and moralistic pap for immature youngsters who wish to delude themselves that they are reading their first adult novel. Being widely read does not make a great book, as Dan Brown demonstrates.

66. Lord of the Flies William Golding
Schoolboys become savages: a bleak vision of human nature.
A simplistic novella that was written as a direct parody of/riposte to Coral Island. An O Level text of no great value.

74. Catch-22 Joseph Heller
'[He] would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; if he didn't want to he was sane and had to.'
Good in parts, but actually as a whole it is unreadable.

86. Lanark Alasdair Gray
Seething vision of Glasgow. A Scottish classic.
Long and hacked up into four "books" - this is really just two unrelated novels that didn't work on their own, so Alasdair Gray cut them in half, shuffled, and sellotaped them together. Gray has written some top class stuff, especially the short fiction, but this is pretentious and overrated by people who assume there must be something deeper than is, in fact, the case.

94. Haroun and the Sea af Stories Salman Rushdie
In this entrancing story Rushdie plays with the idea of narrative itself.
This smacks of needing to include Salman Rushdie somewhere but nobody actually liking his books - so went for the children's stories

95. La Confidential James Ellroy
Three LAPD detectives are brought face to face with the secrets of their corrupt and violent careers.
Is this included for the book or the film?

I know it is difficult to ever get the right balance on a list like this, and that greatest book means different things to different people. But I am surprised, given the development of the novel and the principle of standing on the shoulders of giants that so many old books are included and so few recent ones. And why are these lists always full of children's books? Is it because the list has no meaning if people can't recognize at least a couple of books on it and most people haven't read a novel since the fifth year?

Digger
30th May 2007, 15:38
Housekeeping is back in print, and if Gilead's first 40 pages are anything to go by, I'll be storming the shops to get a copy!

I've just picked this up from the office charity shelf (some karmic palimpian aura floating about Oxford clearly!). Did a search here at lunch time, it seems to have received mixed reviews but has no dedicated thread. Start one up when you're done BeccaK.

BeccaK
30th May 2007, 15:40
Will do!

Kimberley
30th May 2007, 15:57
I found Gilead profoundly moving and would have given it 5 red stars and a fantastic review if I'd been giving stars or reviewing here at the time. I loved it so much I had to slow myself down while reading, and that's something I very rarely do.

BeccaK
30th May 2007, 16:16
As soon as I have read enough to have anything to say then I'll start a thread. I hope you'll contribute, Kimberley (I'm presuming it's too far back in time for you to do a review now). And Digger will obviously be reading this too and will have lots to add!

MrHG, I agree with your comment on Anna Karenina. I think it would have been safer for the compiler to simply omit non-English novels and admit this weakness. I hadn't read many of the novels you commented on, though - just 1984, LOTR, Wuthering Heights. I'm willing to pick up the Faulkner at some point, just because you threw down the gauntlet. Well, I am, if only I pick up a pen and note my intentions somewhere!

MisterHobgoblin
30th May 2007, 16:42
The Faulkner is actually very good, but I suspect it is seldom read for pleasure.

gil
31st May 2007, 8:30
Thank you for your take on some of these novels, Mr Hobgoblin. I agree with much of what you say, particularly Lanark, which set me against Alasdair Gray for years, until I read his web page / blog thing.

I take issue with your applause for Ulysses, which, though entertaining and well-written in parts, is extremely self-indulgent and carelessly thrown together. OK, it's a landmark, and for that reason should be in the top 100, but it's not very readable.

I also take issue with your dismissal of LOTR. As I have said elsewhere:


The strengths include the strong story line, the Quest format, the Heroic theme, the tragedies of Gollum and Boromir, the imaginative scope of creatures and places, the complete world including languages and scripts that he creates and extensively documents in the Appendices. There is a vast treasury of experience in the work as a whole. Its contribution to English literature (good and bad) is incontrovertible.

However, I am not blind to the work's deficiencies. The poetry is mostly abominable - that and the tedious Tom Bombadil have their origin in work Tolkien was doing in the 1920s and earlier. Many of the poems were previously published in neglected anthologies etc. I skipped them, as do most readers, I think.

One of the least attractive offshoots of the book is the crop of adolescent websites, the fan fiction, the amateur artwork, the abominable icons and usernames, the flame wars, the extreme bad taste all round.


and


When LOTR first came out (he said, stroking his beard), there was almost no fantasy about. A few fairy stories, Lord Dunsany's ravings; E R Eddison's swords and sorcery; T H White and Conan the Barbarian people, conceivably.

Nowadays, we are knee-deep in Tolkien plagiarists. You can't move in a bookshop without stepping in pixie shit. And, to do the plagiarists credit, some of them write very well, they didn't learn their writing skills in the 1920s, they don't have a British Empire attitude to Life, and they don't feel the need to intersperse their stories with lame poetry.

So Tolkien gets it from both directions. People who have been swamped with rubbishy pulp fantasy class him with these parasites; people who like fantasy see him as dry, dusty and old-fashioned.

I am in the pro-LOTR camp. I am still amazed as his originality and at the dedication that brought the book to print despite the fact that it was completely out of left field by the standards of literature at the time.



so, whether you like it or not, it qualifies, probably with more justice than several of the other books, to be on the list.

MikeMk1
31st May 2007, 8:48
I take issue with your applause for Ulysses, which, though entertaining and well-written in parts, is extremely self-indulgent and carelessly thrown together. OK, it's a landmark, and for that reason should be in the top 100, but it's not very readable.



I'd agree with you, gil, if we were discussing Finnegan's Wake, which might be an incredible tour de force, but must be almost off the readability scale.

Ulysses, however, I find immensely readable. I accept that it's not an easy read, and you do feel you need to be alert to almost every word, especially on the first read. Subsequent reads though become a total joy, almost as if you need to learn the Joycean language before you can read it without effort (if that makes any sense).

John from Paris
31st May 2007, 9:05
Thank you for your take on some of these novels, Mr Hobgoblin. I agree with much of what you say, particularly Lanark, which set me against Alasdair Gray for years, until I read his web page / blog thing.

I abandoned Lanark about half-way through last year, finding it tedious in the extreme, and no way, no way the masterpiece I had heard it to be. But I will gladly check out "his web page / blog thing" : could you give the references, gil?

[...] almost as if you need to learn the Joycean language before you can read it without effort (if that makes any sense).

Makes perfect sense to me, MikeMk1, as I would say the same thing about reading Shakespeare. I have yet to attempt Ulysses in its entirety, but I will, I will, one day...

gil
31st May 2007, 9:11
Alasdair Gray (http://alasdairgray.blogspot.com/) - his blog.

MisterHobgoblin
31st May 2007, 9:25
In defence of Ulysses, I think my appreciation of it was greatly enhanced by my experiences as a foreigner living in Ireland.

Ulysses is, at heart, a novel about Bloom. Bloom is a Jew, and hence an outsider. Bloom, though, feels Irish and wants to be considered Irish. This is so heartfelt that he has internalized Irish legend and politics: he dreams in Kiltartanese. But he is tolerated in his social crowd only as long as he laughs at being made the butt of their jokes and jibes. To paraphrase Heller, everybody is nice to him but nobody is ever friendly towards him. Bloom is terribly lonely - he has no family other than his wife, who sleepes with all of Dublin except him. She despises Bloom. But Bloom continues to live with her because he has no better option. We see a painful and sad 24 hours in Bloom's life, and we know that none of the subsequent 24 hours will be any better. I can really identify with these feelings.

Coupled with this, some of the language is extraordinary, and the imagery very vivid - and at times surreal. Most of the book is written in a very accessible, playful and quite comic tone - quite in contrast with the subject matter. If only people would stop writing new books, I'd be able to find time to read Ulysses again.

John from Paris
31st May 2007, 9:50
Thanks, gil!

If only people would stop writing new books, I'd be able to find time to read Ulysses again.

Again... :-o [= open-mouthed admiration].
I'll get there, I'll get there...

MisterHobgoblin
31st May 2007, 10:34
I spent a week on leave from work to read it - I think that's the best way with long books, otherwise they just linger and prey on your mind.

John from Paris
31st May 2007, 10:42
I would need to adopt the method I use - and recommend - for reading Proust: sit down and read fifty pages or so in a sitting. And not even think about reading two pages on the bus...

gil
31st May 2007, 10:47
You're right. I've got Ulysses on my iPaq, and theoretically I can read it whenever I'm in a traffic jam or a waiting room or whatever. But it's taking too long that way. The first time I read it, I was a student without a television, so I read it instead of revising. It just took a few days. But I'm enjoying it better this time.