
Tom Philips, born 1937, is possibly best known for A Humument, a ‘treated’ version of a Victorian novel ‘A Human Document’. He is currently Oxford University’s Slade professor of Fine Art. This week sees the end of a small exhibition of his work at the Asmolean.
I have one of the (four I think) editions of A Humument, which I dip into periodically to absorb the detail of it.

Three pages from A Humument.
Each page is a mystery, a tiny world in itself, a fascinating thing to study, I have not read it cover to cover to follow the central character’s story, Toge, only appearing on pages where ‘together’ or ‘altogether’ or two words that allowed the letters ‘to’ and ‘ge’ to appear adjacently, I have never really felt the need, prefering instead to glimpse his life on the random pages I look at.
Apart from the continuing story of A Humument, Philips is prolific, writing, composing, painting, drawing designing. His work has a strong element of design - he clearly has a love of type and lettering which appear frequently, imacculately executed.
I particularly liked a shelf of made books, I do not know if they had contents, entitled ‘The Library at Elsinore’. Each spine bore a title that was a phrase or line from Hamlet. Curiously they read like a selection of genre novels… ‘To be or not to be’; ‘Flesh is Heir’; ‘Something after Death’; ‘Outrageous Fortune’.
Another favourite was an entire wall given over to a collection of letters and meeting minutes beautifully doodled - landscapes, figures, geometry, abstracts, linear borders, faces and flags made artwork of these papers that otherwise would sit forgotten on some desk or in some filing cabinet. Lovely.
My advice, go find a copy of the Humument, it’s wonderful.